I just want to thank most of you for reading the first part of this chapter and giving me some great feedback and proving to me that I'm terrible at grammar. As a friend put very eloquently, I've been staring at this piece so much that I'm probably just blind to the technical errors. For that, I apologize. Oh and I also admit I'm really bad with commas. Sorry for that too. I never paid attention during the grammar parts of high school English so sorry for party rocking or whatever. Anyways, thanks for reading though and for the general positivity that I've received. It's because of that that this little blog project is turning into everything I had hoped it would be: motivation to edit this colossal manuscript of mine and share it. I really appreciate you guys.
So without further ado, here is the part 2 of the second draft of my book.
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I dash through
the cluster of dormitory buildings wondering if my home away from home is as
safe as I hope it is. I barge in, sweating and out of breath, but uneaten.
There are a few people in the common area studying, completely oblivious, and
looking at me funny. I go for my door. Locked. I fumble for the keys. Only now,
trying to aim for the keyhole, do I realize how much my hands are shaking. I
throw open the door, slam it shut, and collapse on the floor. I take a moment
to replay the events in my head. In the moments after I’m able to force my
brain to rationalize the entire situation. It couldn’t have been what it looked
like. The only reasonable explanation is a prank that went too far. It’ll be on
YouTube in a couple of hours and in a few days we’ll forget it ever happened. It’s
a calming thought until I peer through the blinds and see a girl being chased
by a mostly-naked man with one arm. After considering various scenarios, there
was only one that made sense.
Zombies. Honest
to God. Zombies. The walking fucking dead. I can’t believe it. I saw that fat
guy get eaten. Definitely not cool.
I can’t react
with panic—that’ll get you killed. I have to just… calm down. Easy, right?
Wrong. At the notion of zombies, my
brain goes into overdrive, trying to condense everything I thought I knew about
reality and the sheer scope of the situation. I get dizzy.
What’s a boy to
do when things get out of control? Call Mom. I sit there in my room holding my
phone. Wait, if something was really wrong,
she would have called me first, right? She’ll usually make a daily call just to
make sure I’ve had my vegetables. I press the quick-dial button for my house (programmed
by her, of course). It rings once. Two more rings. Then two more. Then the
answering machine.
“Hello, sorry we
can’t come to the phone right now…” says my father. I can nearly hear my mom in the background scolding him for recording the
message wrong. He’d never change it though. I almost laugh, but realize that
there’s no reason for no one to be home.
“Hey guys… it’s
me… I hope everyone is okay. I just want you to know I’m fine,” I say. “I have
my phone so please call me when you get the chance… please. I love you guys.”
I hang up. There
are any number of reasons why no one would pick up, but it’s impossible to
ignore what I just witnessed. Naturally, I think about what could be going on
at home… I’m sure they’re fine. They must be. Dad’s a tough guy. I just need to
take care of myself for now. They’ll call. Maybe there’s nothing going on over
there. Maybe. Maybe I could get to them? That seems like the right thing to do.
Whatever I do, I have to get somewhere safe; anywhere but here.
First things
first, a weapon. I take a quick look around and remember that my roommate keeps
a samurai sword under his bed. He came back from the mall one day, took it out
of its sheath, and pointed it at me.
“Why the hell
did you buy a sword?” I said.
“I really don’t
know,” he said.
And that was the
end of that. I decide that circumstances being what they are, I’d have to
borrow it and he’d have to forgive me. I think that if he were dead, this is
what he would want. Or not. Doesn’t really matter, does it?
The weight of
the sword is entirely towards the front of the blade, making it awkwardly heavy
at first. I hold it out, straight in front of me, examining it, trying to
determine if it’s real or not. No way of knowing for sure. It looks like it
could do the job. It has to.
I’ve never
killed anything before. But I feel like I could do it if circumstances
permitted.
Right?
If I had to?
Maybe.
Okay, so I’m
going home. For that, I need my car, which is clear across campus, which is
full of zombies. Cool.
With sword in
hand and a few essentials in a bag, I take the first measured steps towards
home. I turn the knob as slowly as possible and pause to breathe before opening
the door. I leap out into the hallway, striking
a ninja pose, ready to strike. The hallway seems lifeless. The common
area is now abandoned, word-processor cursors on laptops blinking within
half-finished words and books lying open on the tables. I stand there, still in
my pose, feeling somewhat stupid, wondering if maybe I’m overreacting.
I move towards
the door and wonder what kind of person I’d be if I didn’t offer to help
anyone, especially those I lived with; I figure it’s the neighborly thing to do.
“Hey I’m going to try and escape the
flesh-eating zombies if you’d like to come. Maybe swing by Starbucks or get
some pizza if you like.” Room 102, empty. 103, empty. 104, empty. I
approach 105, the door ajar. I knock gently once. Twice. I look down the hall
and consider moving on but something draws
me inside. I can’t possibly imagine what…
I imagine
Jasmine, the very attractive occupant
of room 105 leaping out at me from the closet in a feral rage, clawing and
biting at my succulent flesh. In a moment of hesitation, I would stare into her
wild blue eyes, apologize, and then, in total self-defense, chop her head off. I’d
pause for a moment before leaving her decapitated corpse and wonder what things
would have been like if she had only given me a chance when I asked her to go
out last weekend.
Instead, I see a human-sized lump on her bed,
covered by a yellow sheet. I creep towards her, unsure what to say, if
anything. As I get closer, I hear a soft sobbing coming from underneath the
sheet, so quiet that I can barely hear it over my own heartbeat. I’m frozen,
not sure what to do. Girls and tears usually give me anxiety. I move backwards,
clearing my throat at the door. No response. After a moment, I noiselessly
close the door. “Jasmine Fitzpatrick,” the nameplate reads. Could zombies cry?
I don’t know. Even if that was still her, what could I say or offer? I had no
answers myself. I’m rationalizing again and before I can regret leaving someone
behind, I leave the building, sword pointed forward.
I leave the dorm,
heading back the main plaza and the other side of campus. Instead of the usual
brick that makes up the main campus walkways, it’s the pools and streams of
blood that give them their color now. It trails from the piles of bodies, many
missing limbs and huge chunks of flesh. Most of the wounds are so fresh they
glisten in the sun. Among these piles of bodies and textbooks, there doesn’t
seem to be a living… or moving thing
in sight. Among the blood-smeared faces are some familiar ones, people I’ve
seen in classes or just in passing on our normal routes, their futures cut
tragically short, on a college campus of all places.
I tiptoe around
corpses, giving the bodies the widest berth I could manage, difficult as that is
with the amount of mangled college students and professors strewn across the
grounds. I hear screaming coming from the other end of the quad—the building I
was in earlier. Class would have been getting out about now…
It’s a rookie
mistake, spacing out in the middle of the carnage. Without warning or a moment
to react, something pounces on me. I land flat on my back, the sword goes flying.
I brace my hands against the shoulders of my attacker whose weight is
completely on me, my heart beating wildly as adrenaline surges through me. He
looks much worse than I could have ever imagined; half of the grey flesh on his
face is torn away, his hair remaining only in patches on his mostly decayed
scalp. His yellowing teeth have bits of flesh in between them; I can probably
count the few he has left as gnashes them mere inches from my face. The smell is
dreadful. It’s awful. It’s the dead lovechild of dreadful and awful. It invades
my senses and stings my nose, my eyes water and now I can barely see him. The
only thing keeping me aware is the feel of his body on me, a reminder of the
danger. I manage to roll to my right and push him off me. He reorients himself
for a second attack, I spot my sword. I clumsily unsheathe it and hold it
straight out in front of me; any plan I had for its use now long gone. He
charges forward, impaling himself on the sword. I brace him to keep him at
length and wheel him around, noting how doesn’t even notice the fucking sword
in his gut. I twist the sword out of his body, cutting him mostly in half.
What’s left of his intestines spill out on the sidewalk and I take the pause to
swing wide at his neck, hoping for the best. As his head rolls away from his
body it continues to blink at me. Like a bug, I stomp, crushing it with a
sickening crack.
As the
adrenaline wears off, my knees shake and I fall to ground. I’m shaking all over
again and it’s like my insides turn themselves into knots. I’m pretty sure I’m
going to throw up. I just fought for my life. I just killed something. The
ground sways and surges beneath me.
Somehow, I hear
a groan and I’m back to reality. A second zombie stumbles towards me. I swing
wildly without technique or strategy. The sword makes contact, leaving a deep gash
from chin to hip. He stumbles. I bury the blade in his head. The shock of the
second kill isn’t nearly as bad but I quickly realize how tired the whole
ordeal has made me. What are these things?
A crash to my left. From out of the Lambda Omega Zeta Delta
Alpha honor fraternity information booth crawls another undead monster. He
stands and looks at me—a stare down—for what feels like ages, probably
contemplating how he wants to eat me. “Legs
first? Fingers?” he must be thinking. His undead muscles tense and before
he can take off, I’m running as fast as my rubbery legs can carry me. I gain
some ground on him and I hear a snap behind
me. The zombie’s leg has broken but he’s still chasing me. As I’m considering
running on a broken leg, I neglect to watch where I’m going and trip on a body.
As the zombie gets closer, I swing my sword towards him, severing his legs. He
continues the chase, crawling on his arms towards me. “It’s just a flesh wound!” I imagine him saying. I allow myself a
chuckle and run off towards the parking lot.
I run until I
reach the lot. Once more in relative safety, I start to cry. For several minutes,
I just sit in my car and cry. I just can’t help it.
Just go through this and look how many sentences start with "I...". It's an extremely dry, repetitive story telling device. What separates truly worthwhile writing from amateur writing is the ability to say ordinary things in an extraordinary way. It seems to me you are doing the exact opposite by saying extraordinary things in an ordinary way. You haven't given us any reason to sympathize with the character, you haven't set the scene, and your story fails to be anything special. I know it's early, but these are the parts of the story that make or break. I don't think many people would read past this first chapter.
ReplyDeleteYou know, if you'd only tell me who you were I'd love to discuss the merits of these points with you. A real friend would give constructive criticism without hiding and since you have to be on my fb friends to have responded so quickly... Well you see where I'm going.
ReplyDeleteMy note: in the paragraph that starts with "Instead, I see a human sized lump on her bed...", you might want to change "creepy" to "creep". Unless he is creepy ;) and in that case, I apologize for misreading.
ReplyDelete